Artist

LIFE AS AN ARTIST

My work explores the intersection of culture, memory, and material. Having lived between Eastern and Western worlds, I am drawn to the dialogue that emerges when traditions, symbols, and lived experiences meet. Through my paintings, I seek to reflect this balance—combining the intricate craftsmanship of Indian artistic traditions with the openness and experimentation of contemporary expression.
I am particularly inspired by the techniques and visual richness of Tanjore painting, known for its layered surfaces and luminous use of gold. Echoing this tradition, I incorporate fragments of vintage Indian saris into my work. Though no longer wearable, the gold-woven fabrics carry traces of the weaver’s skill and the personal histories of those who once wore them. By embedding these textiles within my paintings, I transform everyday materials into vessels of memory and continuity.
Travel also plays an important role in my creative process. Encounters with different cultures, landscapes, and spiritual traditions inspire a series of works that incorporate fabrics, objects, and imagery gathered along the way. Through these layered compositions, I aim to evoke the spirit of place while exploring the shared human stories that connect us across cultures.

To use any of this art as a print or for any other purpose, or to buy original art or prints, please write to sangeetaprasad2663@gmail.com

Click here for a look at my portfolio. It gives you a glimpse into my world as an artist. Explore at leisure and I would love some feedback.

HIGHLIGHT: Triptych “Trapped -Letting Go – Freedom”

Take some time to read about how I conceptualized this series below the image. I would love feedback if you are so inclined.

Art Series - TRAPPED - LETTING GO - FREEDOM

Three paintings of a woman in the air

Title: Bound -Letting go – Freedom

There are three pieces of acrylic and fabric on canvas, each 30” x14” by Sangeeta Prasad, M.A., ATR-BC.

My exploration of incorporating vintage Indian saris into my artwork began with a deeply personal gift. My mother gave me a piece of her wedding sari—an exquisite silk woven with gold and silver threads. The fabric had torn over time, and she felt no one could wear it, so she wanted to find a use for the beautiful woven saree. To me, however, it remained precious. Drawn to the beauty of Indian silk and its intricate weaving, I began integrating such fabrics into my paintings. Over time, family members and friends also entrusted me with their cherished saris, allowing these textiles to find new life within my art.
Working with sari fabric connects me to my rich Indian heritage and to the many hands and lives that have touched each piece. Like my own journey, a sari carries a story: it begins with the weaver, gathers memories through the person who wears it, and continues into a new narrative through my artwork.
This triptych reflects a personal transformation—from feeling confined to ultimately experiencing freedom. The central painting first appeared to me during meditation, and creating it became a process of releasing what I had been holding onto. Nearly a year later, I completed the first and final panels. Together, the three works form a visual reflection of a meaningful and evolving personal journey.

Participation

2025 – George Washington University Alumni Art Show.  Contributed to the art show.

2016 – 3rd place at the Virginia Art Therapy Association art show.
This image represents a woman letting go of her past and becoming free as she begins her spiritual journey.

2015, Mask Making Workshop, November 2015
Presented a mask-making workshop at the Expressive Arts Summit in New York with Jennie Kristel.

2015 – Vale Arts Show – Oakton, Virginia
Participated with the Vale Arts artist in the spring show as a visiting artist.

A colorful mask and some pictures of different scenes
2025 - George Washington Art Show